RaRa Constant light the shoot
In this tutorial, Peter and RaRa had a reference shot as a mood and then built a set to match. Peter then used a number of constant lights with various scrims and boards to reflect and balance the light. The set up shows just how fussy Peter gets with his lighting, constantly tweaking it and always trying to improve it. This is one of the few shoots where he uses more than just one light.
5 comments on “RaRa Constant light the shoot”
Now that you are shooting Color Film, do you still need to use the B&W grain images as overlays. Or will you make Color Grain Overlays.
I will be using both
Enjoyed the way you built the lighting step by step. Your breakdown illustrated the cause and effect of each element.
Great to follow your line of thought.
Thank you
Last year I did some tests with 20+ year out of date black and white film I had stored. It still works! To make things worse, I experimented with home made Caffenol developer ( https://www.caffenol.org/recipes/ ) and had success with some types of film. Standard fixer is required. Now it seems I don’t want to sell some of my old film gear anymore…….
Thanks Peter and RaRa for another interesting shoot.